Chuck Barris died Tuesday in, of all places, Palisades, NY. The songwriter, author, television producer/emcee and cultural lightning rod was 87.
Most may not know that he wrote the post-Golden Age of Radio single “Palisades Park”, or that he worked behind the scenes on American Bandstand and was in no small part influential in the rise of what we know as reality television. Most know him in one of two ways: One, as the central character in the 2002 film adaptation of his self-professed unauthorized autobiography Confessions of a Dangerous Mind; or two, not entirely removed from the first, as the cracked-out host of the cracked-out late 1970s *ahem* talent program The Gong Show.
He gave us any number of pop cultural icons and curiosities, launching the immortal Bob Eubanks from radio disc jockey to near-ubiquitous television presence for the better part of twenty years, to early exposure for a very youthful Paul Reubens, to giving David Letterman some of his earliest appearances as a celebrity judge on The Gong Show. He might not have been a kingmaker per se, but his work shaped a lot of American television culture to the present day.
Barris showed the world what an introvert looked like when faced with success, a national audience and a multi-camera studio. Or, perhaps, he really was cracking under the pressure of being an international man of mystery and assassin. Or, perhaps, drugs (a claim Barris vehemently denied to his death.)
The Gong Show was an early part of the lineup back in the days when USA Network ran blocks of old game shows every weekday afternoon. We lived in the suburban Twin Cities before cable became commonplace; my father got one of those enormous satellite dishes so that he could watch the Packers out of market. So, my brother and I were exposed to far more of the 1970s than I probably should have been.
And yet there we would be, in that ebullience known only to the young, dancing along to Gene Gene the Dancing Machine. Those memories are some of a scant few I have when my brother and I were both children. That joy still welled up when Central Wisconsin finally got Game Show Network and Gong was on every night at 10pm. That joy came back when I found Gene Gene compilations on YouTube last week.
Barris was also an accomplished author. Confessions is one of my favorite books (certainly not for the faint of heart), and The Game Show King is one of the better memoirs I’ve read. After Gong went off the air in 1980, he largely disappeared from public life, moving to France before returning to the States in his latter years. He never fully recovered from the loss of his daughter to a drug overdose, and four years of consistent on-screen delirium will suck the life out of anyone, much less someone who never wanted to be on that end of a television camera.
He might not have been a saint, he might not have been responsible for the downfall of Western Civilization (at least not entirely), but he gave me some of my earliest and most favorite memories, and now the coffin of my childhood is fast running out of space for the added nails.
The end of both the film and book is an uncomfortably apropos way to conclude:
I came up with a new game show idea recently. It’s called the old game. You got three old guys with loaded guns on stage. They look back at their lives, see who they were, what they accomplished, how close they came to realizing their dreams. The winner is the one who doesn’t blow his brains out. He gets a refrigerator.